OBS imprint Protean Press is proud to announce the publication of Carl Oglesby’s Clandestine America: Conspiracies from the Nazi “Surrender” to Dallas, Watergate, and Beyond (Protean Press, 2020). Protean Press publisher Laura Fillmore is looking forward to today’s virtual book launch, hosted on Zoom by the Harvard Book Store in Cambridge, Massachusetts and co-sponsored by →
Impresario Fred Taylor lit up the Boston music scene for decades. He made one of the first recordings of Dave Brubeck, and brought to his venues — notably, the Jazz Workshop, Paul’s Mall, and Scullers — headliners such as Dizzy Gillespie, Count Basie, Duke Ellington, Art Blakey, Weather Report, Pat Metheny, and Charles Mingus. Bob →
No shadow falls between the delivery and the publication, no hiatus between the thought and the thing itself! Our author delivered to his publisher Backbeat Books (an imprint of Globe Pequot Press) the last of the photos in his art program on Sunday night, September 22, and on Monday, September 23, his new book, “What →
Helping “grey” (nontraditional) publishers produce books and succeed in the market is an exciting part of what OBS does, so it gives us great pleasure to see a Boston organization, whose mission we so admire, emerge into the world of publishing. Celebrating 30 years of continuous care of Boston’s homeless population, “Stories From the Shadows: Reflections of a →
Since its founding in 1982, OBS has been a thought leader and an innovator in the digital publishing space. The pace continues, 32 years later: OBS president and founder Laura Fillmore will be presenting on Agile Methodology and Change Management this November at the 12th International Conference on Books, Publishing, and Libraries. Agile methodology started →
Last week, French novelist Patrick Modiano was announced as the 2014 winner of the Nobel Prize for Literature. His publisher David Godine was pleasantly surprised, though he knows the feeling: another French writer and client of Godine’s, J.M.G. Le Clezio, won the coveted award in 2008. Part of Godine’s surprise is the fact that Modiano →